For electronics, the American Professional Jazz is outfitted with a pair of V-Mod Jazz bass pickups—a clever single-coil design from longtime Fender builder Michael Bump that utilizes a blend of alnico 2 magnets (on the bass side) and alnico 5 magnets (on the treble side). Fender Original Jazz Bass® Pickups installed in an American Standard Jazz Bass -- CLEAN tone. I have a pair wired passive- no preamp- in my MIM Jazz fretless and I really love the tone. I haven't played a vintage radius Jazz, but the 9.5 radius and tall narrow frets feel good. Pro. They're loud and warm and punchy. Made with flush mounted Alnico 5 magnets and enamel coated magnet wire, the Original Jazz Bass pickups deliver the low-end growl and up front midrange punch that makes this instrument so popular. I've got Sadowsky Black Label Flats installed on it, which sound great on this bass. Finally Fender reproduces the pickup that was introduced in the early 60's, the Original Jazz Bass Pickup. In fact, it’s hard to imagine that it didn’t always have that pickguard—and that it wasn’t the bass he was encouraged to buy. I had tried the Fender SCNs in my jazz bass but found that they were rather lifeless and had too little output to get a good signal-to-noise ratio for recording. With both pickup volumes and the tone control on full, the sound is bright, full and attacking. The Fender American Original ‘70s Jazz Bass is a 4-string bass and everything is either as period-correct as it can be or authentic. I love the vintage tone from a P bass and I owuld like to get as close to the original P tone that I ould get. I am looking for the smoothest P bass tone without spending a fortune in the Am. Finally Fender reproduces the pickup that was introduced in the early 60's, the Original Jazz Bass Pickup.

Made with flush mounted Alnico 5 magnets and enamel coated magnet wire, the Original Jazz Bass pickups deliver the low-end growl and up front midrange punch that makes this instrument so popular. This bass has a tight, punchy character with a fair smattering of natural growl in the midrange, which is particularly obvious when playing over the bridge pickup. I have 2, 1 with the Quarter Pounders and the other currently has the Fender original '62 P bass pickups. If you have played a Fender bass from the 70s, then you know what a classic is and it has been brought back successfully. The newly designed noiseless pickups and a more ergonomically sculpted heel were the big talking points with the electric guitars, and these have made their way onto both the Fender American Ultra Jazz Bass and Precision Bass. I've had a couple different pickups in that bass (Seymour Duncan, stock MIM) and these are my favorites. With its jumbo pickguard, transparent blonde finish, maple neck, BadAss II bridge, stock pickups, and little 'MM' applique letters, Marcus Miller’s 1977 Fender Jazz Bass is one of the most iconic basses in music. If you're on a budget, Fender Original Jazz Bass Pickups are a great set. You can get them for under $75 shipped. Vintage '63 P bass (also because I don't like the old necks profile too much) hence the Am. The pickups themselves have been revoiced to provide a more accurate approximation of the original 1960s units, so the scooped sound of a 70s Jazz isn’t quite so apparent. Sounds. I recently saw that Fender had came out with a Fender Pure Vintage '58 and '63 Precision Bass pickup sets. It still growls like a Jazz Bass and I'm very pleased with the sound overall. The original Fenders that came stock had good bark and clank but were kind of anemic in the low end and uneven tonally. The result is that the AP Jazz has a fit and finish that’s easily as good as any Fender bass that has come before. The tone control may be passive, but the range from off to fully on is wide and linear, and that makes it very usable.

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