Antony beings his speech, one of the most famous speeches in Shakespearian drama, by parodying Brutus's speech. Antony starts of his speech with “Friends, Romans, countrymen, lend me your ears” (3.2.81). Antony follows with a line of straight iambic pentameter punctuated with a feminine ending. Antony’s speech was extremely powerful he used a lot of literary devices and without directly speaking ill of the conspirators he persuaded the crowd into believing that the Caeser’s death wasn’t a patriotic act but instead was a brutal murder. Here's the first irony of Antony's speech, in that he is unequivocally here to praise Caesar. Irony occurs when the real meaning of the words is the opposite of the literal meaning. Antony speaks these words in a speech at Caesar’s funeral. Brutus refuses to kill him and promises him a place in the new government. Antony's speech begins with the famous lines, "Friends, Romans, countrymen, lend me your ears" (3.2.70). This act of taking a life completely changed the way Antony thought. Unlike many other famous speeches in Shakespeare, such as Hamlet's ''To be or not to be,'' Antony's speech is not a soliloquy, a private rumination. Flashback CASSIUS: Once, on a cold and windy day, He challenged me to swim across the river Tiber. Antony is, in fact, lying. Antony's speech takes place near the end of the third act. Brutus says "Romans, countrymen, and lovers, hear me for my cause, and be silent." Brutus agreed to let Antony speak, thinking that this will make them look unified. In his speech in Act 3 Scene 2, Antony plays on the word "honorable" like a musician extracting different nuances from the same repeated note. Antony improves the internal rhythm of the line and invokes an intimacy and shared nationality that Brutus's lines lack. This word choice makes the Pomans feel like Antony is there friend and should trust what he says. Here are more extended metaphors: Metaphor 14, As You Like It: All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, When Antony asks for permission to speak at the funeral, Cassius objects, but Brutus agrees—long as Brutus gets to address the crowd first. Antony’s speech at the funeral was jam-packed with rhetorical and literary devices which created a big divide in Rome. Dressed as I was, I jumped right in, And then he followed. In private, Antony begs Caesar's pardon for being friendly with the conspirators and reveals that he hopes to incite a riot. This is a calculated tactic to disarm a crowd firmly on the side of Brutus when Antony takes the pulpit. The others being ethos and logos. Antony's funeral oration contains one of the most famous examples of irony in all literature. It is appealing to the rhetorical devices found in primarily in pathos. Leading up to Antony’s riveting speech in act III, scene ii, lines 103-143 to his fellow Roman friends, Brutus and the conspirators committed a horrible crime: the murder of Julius Caesar. The raging river roared. However, Brutus underestimated Antony’s ambition and rhetorical power and this speech proves Antony to be a force. Throughout the speech, Marc Antony repeats several times that Brutus is an honorable man. Pathos is one of three main rhetorical devices. Metaphor ANTONY: Oh, pardon me, you bleeding piece of earth, That I am meek and gentle with these butchers. His speech continually praises Brutus as "an honourable man" who has killed Caesar for being ambitious yet also describes Caesar as the most honorable and generous of men. The speech goes on with further metaphors developing the idea of England as a place that only superlatives can describe.

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